This past fall, the Images Festival and TYPOLOGY launched Moving Images in Contemporary Culture, a new series of talks and workshops on the changes, challenges, and advances in curating and presenting the moving image. Our pilot event, Beyond the Projection, took place on October 17 with the participation of many local curators and programmers. Our second event, The Space of Production: Notes on Technical Support, took place January 23 and featured a presentation by Victoria Brooks, EMPAC Curator of Time-based Visual Art (more information on this page under Events).
We’ve got so much good stuff coming up at the space and in the building that we have to share over multiple posts. Here’s our March update — stay tuned for more news and our April exhibition announcement coming soon. Make a note, mark your calendars, and COME!
(Note to our mailing list subscribers: sorry about that bait and switch from yesterday — but we hope you enjoyed the posts by our resident curator, Oana Tanase, and intern, Katelyn Gallucci. We’re now sending you the info on our upcoming screenings from CHINA NOW: Independent Visions, for reals! Read on for details, and if you’re as excited as we are, contact us at email@example.com to get your own personal discount code for 10% off advance tickets — a bit of special treatment for our long suffering subscribers. :)
TYPOLOGY is proud to announce our support for CHINA NOW: Independent Visions, in the form of two exciting film screenings we’ll host in Small World Music Centre’s theatre space at Artscape Youngplace this spring.
Organized by Toronto-based curator and critic Shelly Kraicer, LA-based producer Karin Chien, and Chicago-based filmmaker JP Sniadecki, CHINA NOW is the touring arm of Cinema on the Edge, a program of 29 experimental films representing the best of Chinese independent film festivals from 2012-14. Launched to wide acclaim in New York last summer, Cinema on the Edge will debut in Toronto this March with a monthlong program of eight documentaries hosted by TIFF Cinematheque, under the series title The Crisis of the Real: New Chinese Independent Documentaries.
Following fast on their heels, TYPOLOGY will present our own selection from the original series: three groundbreaking animations and one experimental feature which comprise an eye- and ear-opening program of independent contemporary cinema from across China. Featuring filmmakers from Shenyang in the north to Guangzhou in the south, and Tibet in the west to Taiwan in the east, this selection bespeaks volumes on the vastness of space, time scales, and cultural difference experienced by these artists, who must find their voices in a country where censorship remains the order of the day.
LOOSE ENDS | MARY GRISEY, FAYE MULLEN, JÉRÔME NADEAU, DEBORAH WANG
January 14 — March 6, 2016
Each decay is a form of transformation into other living things, part of the great rampage of becoming that is also unbecoming. It is cruel, it is death, and it is also life, degeneration and regeneration, for nearly all living things live by the death of other things.
— Rebecca Solnit
TYPOLOGY is pleased to present Loose Ends, curated by Noa Bronstein and featuring sculpture, video, and photo-based works by Mary Grisey, Faye Mullen, Jérôme Nadeau, and Deborah Wang.
On October 28th, 2015 OCAD University’s Faculty of Liberal Arts & Sciences and School for Interdisciplinary Studies presented a public lecture by Dr. Claire Bishop, art historian, critic, author, and professor in the History of Art Department at CUNY Graduate Center, New York. Entitled “Déjà Vu: Contemporary Art and the Ghosts of Modernity,” Bishop’s lecture critiques themes of the failure and ruin of modernity and utopia that she believes have persisted in contemporary art since the 1990s.
Join us this Friday from 5–11 for a major building-wide Halloween-themed event organized by artists and organizations at Artscape Youngplace, including TYPOLOGY. See below for all the amazing stuff we have in store for all ages.
As a way to thank you, our faithful mailing list subscribers, for your continued interest and support, we’re offering a FREE Polish Papercutting Workshop with artist Maria Flawia Litwin this Saturday from 12–3 pm at Paperhouse Studio! This is a $55 value plus you’ll gain mad papercutting skills that you can use for the rest of your gift-giving life!
We’ve just posted a list of six (!) upcoming events for The Lowest Relief | Maria Flawia Litwin, including this Saturday’s Afternoon with the Artist — drop in anytime from 12–5 pm for refreshments and casual conversation with Maria, who will be at the project space to discuss her exhibition and answer questions about her art and process.
Details on the other five events, including our Fall Kickoff Celebration and Catalogue Launch, Scissors+Blades papercutting workshop series with Maria Flawia Litwin and Annyen Lam co-hosted with Paperhouse Studio, Art Bus tour with Koffler Gallery, artist’s talks for Culture Days, and Canadian Art’s Gallery Hop can be found on the exhibition page (scroll down and click on each event title to view information), or check out our Facebook Events page (where you can also RSVP).
It’s going to be a fun and busy fall — hope to see you at the project space for one or more of these events, workshops, or afternoons soon.
image: Maria Flawia Litwin, être ma proper cause (detail), 2014
MAKE YOUR MARK was a big hit with visitors of all ages at last week’s RECESS open house. Inspired by the three fantastic site-specific stairwell installations we commissioned from Tamara Gayer, Christine Gedeon, and Janine Miedzik, participants covered the walls of our third floor hallway with cut vinyl and colourful tapes, assembled in all manner of representation, expression, and abstraction.