We are pleased to launch our newest initiative in support of emerging artists and curators: Summer Sessions, a program through which we are making free space and staffing support available to graduates of local and regional colleges and universities to present their thesis exhibitions in downtown Toronto.
TYPOLOGY is pleased to participate in the inaugural edition of the Toronto Art Book Fair with a pop-up exhibition in the project space, a vendor table in the third floor hallway, and an artist-led book arts workshop on the front lawn, hosted in partnership with Gallery 44 and generously supported by Japanese Paper Place.
We’ve got so much good stuff coming up at the space and in the building that we have to share over multiple posts. Here’s our March update — stay tuned for more news and our April exhibition announcement coming soon. Make a note, mark your calendars, and COME!
(Note to our mailing list subscribers: sorry about that bait and switch from yesterday — but we hope you enjoyed the posts by our resident curator, Oana Tanase, and intern, Katelyn Gallucci. We’re now sending you the info on our upcoming screenings from CHINA NOW: Independent Visions, for reals! Read on for details, and if you’re as excited as we are, contact us at rsvp@typology.ca to get your own personal discount code for 10% off advance tickets — a bit of special treatment for our long suffering subscribers. :)
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TYPOLOGY is proud to announce our support for CHINA NOW: Independent Visions, in the form of two exciting film screenings we’ll host in Small World Music Centre’s theatre space at Artscape Youngplace this spring.
Organized by Toronto-based curator and critic Shelly Kraicer, LA-based producer Karin Chien, and Chicago-based filmmaker JP Sniadecki, CHINA NOW is the touring arm of Cinema on the Edge, a program of 29 experimental films representing the best of Chinese independent film festivals from 2012-14. Launched to wide acclaim in New York last summer, Cinema on the Edge will debut in Toronto this March with a monthlong program of eight documentaries hosted by TIFF Cinematheque, under the series title The Crisis of the Real: New Chinese Independent Documentaries.
Following fast on their heels, TYPOLOGY will present our own selection from the original series: three groundbreaking animations and one experimental feature which comprise an eye- and ear-opening program of independent contemporary cinema from across China. Featuring filmmakers from Shenyang in the north to Guangzhou in the south, and Tibet in the west to Taiwan in the east, this selection bespeaks volumes on the vastness of space, time scales, and cultural difference experienced by these artists, who must find their voices in a country where censorship remains the order of the day.
The summer edition of Xpace Cultural Centre’s annual program is on view for just a few more days, until August 22nd. The main space exhibition, curated by Emily Gove, features four artists whose work bridges worlds of idealized femininity with re-imagined universes of great complexity, charm and disorder. The show’s name references early the 1990s feminist zine Girl Germs, a publication whose poems, stories, and mix tape listings fostered the expansion of the Riot Grrrl movement across Canada and the United States.
Stephen Andrews, The Butterfly Effect (series of paintings), photo by Murray Whyte for Toronto Star
If you’re in Toronto this summer and looking for an exhibition that is both visually pleasurable and technically astute, take a trip to Stephen Andrews’ Point of View, currently at the Art Gallery of Ontario until August 30th. The exhibition combines a decade and half of Andrews’ most recent work, which is born and bred in Toronto and reflects both the influence of the city and Andrews’ early development as a photography and collage artist, and his later movement into painting.
TYPOLOGY is pleased to present FLIGHTS & LANDINGS, a two-part exhibition of work by three multidisciplinary artists from three different cities: Brooklyn-based Tamara Gayer, Berlin-based Christine Gedeon, and Toronto-based Janine Miedzik. Known for their visually engaging, site-responsive approaches to installation, each artist will debut a large-scale project in one of the stairwell galleries at Artscape Youngplace (the Flights), complemented by a selection of smaller artworks representing object-oriented aspects of their practices in the project space (the Landings).
If the image from our last email seemed strangely familiar, it’s because we neglected to swap out the previous exhibition shot with an image for the new one. Arrgh – sorry about that!
To make amends, we are taking this opportunity to share a few bonus photos of some of Mary Hambleton’s wonderful work in the show. The exhibition will feature 20 of her works on paper, plus a large painting also by Hambleton, and an immersive video installation by Sara MacLean.
Hope to see you at the opening next Thursday! A Riveder le Stelle, curated by Heather Nicol, runs January 22–February 22, 2015.
TYPOLOGY is thrilled to announce the launch of our guest curating program with A Riveder le Stelle, a two person exhibition. Featuring rarely seen works on paper by the late New York painter Mary Hambleton, and a video installation by Toronto-based Sara MacLean, the exhibition is curated by interdisciplinary artist and independent curator Heather Nicol.
Taking its name from the final line of Dante’s Inferno (1314), A Riveder le Stelle, “to gaze once more upon the stars,” is conceived as a virtual conversation between two artists, separated by time, place, and practice, whose work nevertheless manifests striking formal and conceptual correspondences. Among the many such convergences are a mutual interest in the body, the scientific gaze (particularly as it relates to diagnostic medicine), relationships between the infinitesimal and the celestial, and the sense of wonder such scrutiny engenders.