Tag:body

Moving Images in Contemporary Culture

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This past fall, the Images Festival and TYPOLOGY launched Moving Images in Contemporary Culture, a new series of talks and workshops on the changes, challenges, and advances in curating and presenting the moving image. Our pilot event, Beyond the Projection, took place on October 17 with the participation of many local curators and programmers. Our second event, The Space of Production: Notes on Technical Support, took place January 23 and featured a presentation by Victoria Brooks, EMPAC Curator of Time-based Visual Art (more information on this page under Events).

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Upcoming: The Lowest Relief | Maria Flawia Litwin, curated by Katherine Dennis

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TYPOLOGY is pleased to launch its third year of programs with The Lowest Relief, an intimate solo exhibition of art by Maria Flawia Litwin, curated by Katherine Dennis. In this new body of work, Litwin uses wycinanki (pronounced vih-chee-nahn-kee), a Polish paper cutting tradition, to weave stories layered with personal memories, social history, symbolism and mythology. Each work stems from a significant autobiographical detail in the artist’s life. Yet the illustrations are stripped of overt personal narrative. The focus instead is on quintessential life experiences — those as simple and complex as birth and death, and as fleeting or all encompassing as love, alienation, pain, fear or passion — that transcend gender, geography and culture.

Whimsical but touched with dark humour, the complex cuts, colours and patterns draw the eye in. Through these intricate details we are eased into the absurdity of memory, a space where the recollections of the artist become a jumping off point for the experiences of the viewer. The fantastical vignettes, filled with elaborate costumes from Polish folk to Canadian plaid, and animal and human actors ranging from a murder of crows to an armed attacker or gentle lover, unsettle and disturb as much as they delight.

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Last chance for THE NEW GODS, plus event pics and new editions

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THE NEW GODS (installation view) featuring Destiny by Alejandro Garcia Contreras, porcelain, 7.875 x 6 x 4 inches.

It’s been a while since we last posted, and that’s actually good news because we’ve been overwhelmed by the amazing response to THE NEW GODS! Take a gander at our Press page, which has seen more action over the past few months than the entire previous year. Thanks to everyone who has supported and attended the show, especially the Scotiabank CONTACT Photography Festival, NOW Magazine, Artoronto.ca, and of course the artists, Alejandro Garcia Contreras and Josée Pedneault, for their wonderful collaborative project.

This weekend is your last chance to see it during regular gallery hours if you haven’t already — we’re open Friday thru Sunday from 12–5 pm. (Note: As we are at the end of our 2014–15 program year, the show will actually remain up for a bit longer, so those who can’t make it this weekend are welcome to get in touch and make an appointment.)

The exhibition will also live on through its documentation in the catalogue, which is forthcoming. Preorders are accepted at the project space or via email to info (at) typology (dot) ca, as well as through our online shop soon. The catalogue and the fantastic limited edition archival digital print (see below) are $25 each.
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Cardboard Man

THE NEW GODS (cardboard man), 2014. Archival inkjet on Hahnemühle FineArt Baryta paper. 6 x 9 inches. Edition of 20, signed and numbered by the artists.

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handmade helmet of cut plastic straws from Chiapas

Recap: HEAD TRIP! Fantastical Masks, Helmets, and More with Paddy Leung
In the week leading up to and including Doors Open Toronto, we co-hosted a wonderful two-part workshop with Paperhouse Studio, making masks, helmets, and crowns inspired by the handcrafted costumes featured in THE NEW GODS. If you missed the photo postings on our Facebook/Tumblr/Instagram pages, we’ve included a few here for your enjoyment.
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IMG_8349  PLeung
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The love continues for FLIGHTS & LANDINGS
A visitor to Artscape Youngplace photographed Tamara Gayer site-specific stairwell installation, 24 Hours Toronto, and his image was selected as one of the Top Ten photos of Doors Open Toronto! All three stairwell installations (including works by Janine Miedzik and Christine Gedeon) will remain on view for several more months. A limited edition archival digital print by Tamara Gayer is available (below), with the exhibition catalogue coming soon.
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24 Hours Toronto limited edition print by Tamara Gayer, 2015. Archival digital print, 6 x 9 inches. Edition of 20, signed and numbered by the artist.

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Thanks again for your interest and support in making this a great second year for TYPOLOGY. Stay tuned for exciting news regarding our program for 2015–16 and how you can participate in shaping our future mission and projects!

Upcoming events at TYPOLOGY

A Riveder le Stelle is a Canadian Art Must-See Show!
Guest curator Heather Nicol’s exhibition-as-conversation, featuring Mary Hambleton and Sara MacLean, is on view for another two weeks. We’re open extended hours through February 22nd: Thursday–Sunday from 12–5 pm, so don’t miss it. More information on the exhibition page, here.

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TYPOLOGY presents A Riveder le Stelle | Mary Hambleton and Sara MacLean

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TYPOLOGY is thrilled to announce the launch of our guest curating program with A Riveder le Stelle, a two person exhibition. Featuring rarely seen works on paper by the late New York painter Mary Hambleton, and a video installation by Toronto-based Sara MacLean, the exhibition is curated by interdisciplinary artist and independent curator Heather Nicol.

Taking its name from the final line of Dante’s Inferno (1314), A Riveder le Stelle, “to gaze once more upon the stars,” is conceived as a virtual conversation between two artists, separated by time, place, and practice, whose work nevertheless manifests striking formal and conceptual correspondences. Among the many such convergences are a mutual interest in the body, the scientific gaze (particularly as it relates to diagnostic medicine), relationships between the infinitesimal and the celestial, and the sense of wonder such scrutiny engenders.

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