As we head into late fall, the chill in the air and the leaves underfoot put us in mind of the seasons and the stars, elemental concepts evoking cycles, rituals, and deeply held wishes. Not coincidentally, such themes form the conceptual threads weaving much of Saskatchewan artist Cathryn Miller’s work together, and so it is with a sense of both celebratory anticipation and seasonal cheer that we announce our next exhibition.
Here at TYPOLOGY, we have a growing inventory of delightful and fascinating things made by us and participating artists in conjunction with each exhibition. For Of Other Faces, this includes a beautiful 64-page exhibition catalogue (pictured above and below), an affordable two-part limited print edition (pictured at bottom of this post), a freshly pressed CD containing two collaborative sound works, and — get this! — a limited number of Alien/Recognition portrait commissions, through which you or a loved one can be immortalized in a two-part set of custom photographs created by artist Marta Ryczko using the same processes she used to create the series in the show. (Can you imagine a more perfect gift for that complex person in your life?)
Now that we are into the thick of summer, what better thing to do on break from exhibition-making than visit other wonderful exhibitions? Luckily our travels are bringing us through some good places to see shows, and we would like to share some of the best of what we come across while we are on the road.
Today’s post features an excellent exhibition at the Ruth and Elmer Wellin Museum of Art at Hamilton College in Clinton, NY. Titled In Context: The Portrait in Contemporary Photographic Practice, the show is curated by Robert Knight and features thirteen artists who blur the lines between conceptual and documentary photography.
With so much to do in advance of the project space opening, this year’s visit to the fair was more like a drive-by. However, even the short tour yielded many surprises and much to follow-up on. Featured here are a few favourite booths and interesting artworks from this year’s fair. For artwork information, hover over the image or see credits listed at bottom. For a closer look, click the images to enlarge. For more information on the gallery or artist, links are provided to their respective websites.
Closing after this long weekend is the Power Plant’s sprawling summer exhibition, Postscript: Writing After Conceptual Art. Curated by Andrea Andersson and Nora Burnett Abrams, this multi-sensory feast for the eyes, ears, and mind is a testament to the variety and richness of artistic and poetic approaches to language undertaken by conceptual artists and writers since the 1960s.