TYPOLOGY is pleased to participate in the inaugural edition of the Toronto Art Book Fair with a pop-up exhibition in the project space, a vendor table in the third floor hallway, and an artist-led book arts workshop on the front lawn, hosted in partnership with Gallery 44 and generously supported by Japanese Paper Place.
THE NEW GODS (installation view) featuring Destiny by Alejandro Garcia Contreras, porcelain, 7.875 x 6 x 4 inches.
It’s been a while since we last posted, and that’s actually good news because we’ve been overwhelmed by the amazing response to THE NEW GODS! Take a gander at our Press page, which has seen more action over the past few months than the entire previous year. Thanks to everyone who has supported and attended the show, especially the Scotiabank CONTACT Photography Festival, NOW Magazine, Artoronto.ca, and of course the artists, Alejandro Garcia Contreras and Josée Pedneault, for their wonderful collaborative project.
This weekend is your last chance to see it during regular gallery hours if you haven’t already — we’re open Friday thru Sunday from 12–5 pm. (Note: As we are at the end of our 2014–15 program year, the show will actually remain up for a bit longer, so those who can’t make it this weekend are welcome to get in touch and make an appointment.)
The exhibition will also live on through its documentation in the catalogue, which is forthcoming. Preorders are accepted at the project space or via email to info (at) typology (dot) ca, as well as through our online shop soon. The catalogue and the fantastic limited edition archival digital print (see below) are $25 each.
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THE NEW GODS (cardboard man), 2014. Archival inkjet on Hahnemühle FineArt Baryta paper. 6 x 9 inches. Edition of 20, signed and numbered by the artists.
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handmade helmet of cut plastic straws from Chiapas
Recap: HEAD TRIP! Fantastical Masks, Helmets, and More with Paddy Leung
In the week leading up to and including Doors Open Toronto, we co-hosted a wonderful two-part workshop with Paperhouse Studio, making masks, helmets, and crowns inspired by the handcrafted costumes featured in THE NEW GODS. If you missed the photo postings on our Facebook/Tumblr/Instagram pages, we’ve included a few here for your enjoyment.
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The love continues for FLIGHTS & LANDINGS
A visitor to Artscape Youngplace photographed Tamara Gayer site-specific stairwell installation, 24 Hours Toronto, and his image was selected as one of the Top Ten photos of Doors Open Toronto! All three stairwell installations (including works by Janine Miedzik and Christine Gedeon) will remain on view for several more months. A limited edition archival digital print by Tamara Gayer is available (below), with the exhibition catalogue coming soon.
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24 Hours Toronto limited edition print by Tamara Gayer, 2015. Archival digital print, 6 x 9 inches. Edition of 20, signed and numbered by the artist.
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Thanks again for your interest and support in making this a great second year for TYPOLOGY. Stay tuned for exciting news regarding our program for 2015–16 and how you can participate in shaping our future mission and projects!
TYPOLOGY is thrilled to present a Featured Exhibition of the 2015 Scotiabank CONTACT Photography Festival, THE NEW GODS, a cross-continental collaboration between Canadian artist Josée Pedneault (Montreal) and Mexican artist Alejandro Garcia Contreras (Mexico City). Featuring an extraordinary series of large-scale photographs, THE NEW GODS examines fantastical rites of spring that have emerged spontaneously within Carrillo Puerto, an isolated village in the mountains of Chiapas in southern Mexico. The exhibition will also include a select grouping of smaller sculptures and paintings as an extension of the photographic subject matter into other media, an experimental approach which is integral to this multidisciplinary collaboration.
Last week’s Alien Mask Workshop with Marta Ryczko was a smashing success — few are able to channel that inner stranger more enthusiastically and effectively than those in the grade school set. After a brief introduction to Ryczko’s haunting Alien/Recognition images in the exhibition, everyone set to work bringing their alter egos to life. Below are some of the soulful, spooky, or silly results, reproduced in black and white as an homage to Ryczko’s original images.
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Continue reading
Here at TYPOLOGY, we have a growing inventory of delightful and fascinating things made by us and participating artists in conjunction with each exhibition. For Of Other Faces, this includes a beautiful 64-page exhibition catalogue (pictured above and below), an affordable two-part limited print edition (pictured at bottom of this post), a freshly pressed CD containing two collaborative sound works, and — get this! — a limited number of Alien/Recognition portrait commissions, through which you or a loved one can be immortalized in a two-part set of custom photographs created by artist Marta Ryczko using the same processes she used to create the series in the show. (Can you imagine a more perfect gift for that complex person in your life?)
Please join us Thursday, September 18th from 7–9 pm for the opening of our fall exhibition. Of Other Faces features sound art, video, and photography by Andrea Cohen and Wiska Radkiewicz (Paris, New York), Victoria Fu (Los Angeles), Marta Ryczko (Toronto), and Manuel Saiz (Berlin), five artists whose works employ strategies of mirroring and doubling to investigate the paradoxical nature of our dualistic world. Of Other Faces will be the first exhibition in Canada to feature work by international artists Victoria Fu and Manuel Saiz.
Now that we are into the thick of summer, what better thing to do on break from exhibition-making than visit other wonderful exhibitions? Luckily our travels are bringing us through some good places to see shows, and we would like to share some of the best of what we come across while we are on the road.
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Today’s post features an excellent exhibition at the Ruth and Elmer Wellin Museum of Art at Hamilton College in Clinton, NY. Titled In Context: The Portrait in Contemporary Photographic Practice, the show is curated by Robert Knight and features thirteen artists who blur the lines between conceptual and documentary photography.