This past fall, the Images Festival and TYPOLOGY launched Moving Images in Contemporary Culture, a new series of talks and workshops on the changes, challenges, and advances in curating and presenting the moving image. Our pilot event, Beyond the Projection, took place on October 17 with the participation of many local curators and programmers. Our second event, The Space of Production: Notes on Technical Support, took place January 23 and featured a presentation by Victoria Brooks, EMPAC Curator of Time-based Visual Art (more information on this page under Events).
TYPOLOGY is pleased to announce the launch of Conversations, a new series exploring research-based arts by Curator-in-Residence, Oana Tanase. Her first interview features Brooklyn-based artist, Rob Carter.
Rob Carter was born in Worcester, UK and currently lives and works in Brooklyn, New York. He received his BFA from The Ruskin School of Drawing and Fine Art at Oxford University and later received an MFA in Studio Art from Hunter College in New York. He has shown his work internationally, with solo exhibitions at Art In General in New York, Galerie Stefan Röpke in Cologne, Station Independent Projects in New York, Galeria Arnés y Ropke in Madrid and Fondazione Pastificio Cerere in Rome. He has also exhibited at Centre Pompidou-Metz in France, Hiroshima City Museum of Contemporary Art in Japan, The Field Museum in Chicago, Institute of Contemporary Art in Philadelphia and Museum of Arts and Design in New York.
This weekend is your last chance to see Nicolas Fleming’s transformative site-specific installation, Moving right along. We are open Friday thru Sunday from 12–5 pm, and the artist will be in attendance on the Friday to answer questions and discuss his work and process.
TYPOLOGY is pleased to present Moving right along, the first solo exhibition of work by Nicolas Fleming in Toronto. Appropriating the visual language and syntax of design-build practices, Fleming’s new artworks and site-specific installation transform the exhibition space, exploiting the inherent imperfections and irregular marks characteristic of construction sites to challenge the white cube environment in which they are situated. Constructing a room within a room, the artist’s sculptural gestures within the installation include curved walls and the representation of a fountain which bursts through the ceiling, its shiny finish reflecting the bright neon lighting illuminating the space.
Revealing or even glorifying the labour invested in the construction process, Fleming questions the accepted notion of pragmatism in construction work and creates an enigmatic theatre of fluid perspectives, both seductive and disturbing. Yet the overall effect, incorporating subtle touches of colour and texture, paradoxically recalls peaceful, temple-like places where the viewer may envision or experience acts and states of ritual, solitude, and duration.
Co-curated by project space Director Shani K Parsons and TYPOLOGY’s first Resident Curator, Oana Tanase, Moving right along will be accompanied by an exhibition catalogue featuring an original curatorial essay and interview with the artist, plus full documentation of the site-specific installation.