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Hello and thanks for visiting. We originally wrote this post at the beginning of December 2011, and as new information and events continued to unfold in the following weeks, we updated this page with fresh links and images. Now, as Occupy emerges from the winter months having given birth to an entirely new movement in contemporary visual culture, we feel it is appropriate to archive this post as a chronicle of Occupy’s visual beginnings, and allow the movement time and space to further evolve with respect to protest aesthetics in the arts and design, music and performance, giant puppets, flashmobs, bat signals, and whatever other forms it will eventually take. Thanks for the feedback and interest, and let’s all stay tuned.
Category: drawing
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The aesthetics of protest: how Occupy sees itself (chapter one)
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Artists’ sketchbooks to surprise and inspire you
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We’re on deadline and writing our faces off at the moment, but everyone’s gotta eat, right? This little glimpse into the sketchbooks of artists including Andy Warhol, Devendra Banhart, and Henri Matisse makes for inspiring (and satisfying) lunchtime viewing. We took a shine to Louise Bourgeois’ and Richard Serra’s pages, and were delightfully surprised by Frida Kahlo and Cy Twombly. Above, a bracing exploration by Ellsworth Kelly. -
Actual size: the sculptural drawings of Jannick Deslauriers and Joan Linder
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Jannick Deslauriers’ recent exhibition at Show & Tell Gallery is a study in contrasts. Utilizing the lightest of materials–crinoline, tulle, lace, and organza, she constructs life-sized sculptures of physically and/or politically weighty objects such as a pair of hand grenades, a sewing machine, a typewriter, a tank. Suspended from above, the objects exert a spectral presence on the space, appearing as literal materializations of creative or destructive human impulses. Seen through this lens, an unassuming brick, rendered in terracotta-coloured crinoline and black thread, becomes a symbol of both our collective capacity to build society, and–when taken in hand and thrown through the scapegoat-of-the-moment’s window–to destroy it in turn. -
Art by number: Ken Nicol (and Mel Bochner, and Mary Temple, and Roman Opalka)
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On the tweeted advice of Leah Sandals, we stopped by MKG127 gallery for the last day of Ken Nicol’s show. Aside from an irrational desire for Cy Twombly books and a penchant for Bic four-colour pens, we personally share with Nicol a complete and not unwelcome inability to multitask. Perhaps this explains our delight in his show, titled Hundreds of Things, Volume 1, for which he executes extremely well-crafted permutations of the number 100 in a wide range of seemingly mundane, normally discarded materials. From his gallery’s website: -
Fred Tomaselli at the 2011 Editions/Artists’ Book Fair
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Over a packed four days in New York doing research for a future show, we managed to briefly stop by the Editions/Artists’ Book Fair taking place in Chelsea this past weekend. Occupying two floors of the former Dia building on West 22nd, the fair was intimate, friendly, and filled with surprises, not least of which were the many strong showings by non-New York exhibitors such as Clay Street Press (Cincinnati), Western Editions (Chicago), and High Point Center for Printmaking (Minneapolis). We’ll profile each of these organizations separately in a series of future posts, as well as New York-based standouts Specific Object and Forth Estate.