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We’re on deadline and writing our faces off at the moment, but everyone’s gotta eat, right? This little glimpse into the sketchbooks of artists including Andy Warhol, Devendra Banhart, and Henri Matisse makes for inspiring (and satisfying) lunchtime viewing. We took a shine to Louise Bourgeois’ and Richard Serra’s pages, and were delightfully surprised by Frida Kahlo and Cy Twombly. Above, a bracing exploration by Ellsworth Kelly.
Category: painting
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Artists’ sketchbooks to surprise and inspire you
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Art by number: Ken Nicol (and Mel Bochner, and Mary Temple, and Roman Opalka)

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On the tweeted advice of Leah Sandals, we stopped by MKG127 gallery for the last day of Ken Nicol’s show. Aside from an irrational desire for Cy Twombly books and a penchant for Bic four-colour pens, we personally share with Nicol a complete and not unwelcome inability to multitask. Perhaps this explains our delight in his show, titled Hundreds of Things, Volume 1, for which he executes extremely well-crafted permutations of the number 100 in a wide range of seemingly mundane, normally discarded materials. From his gallery’s website: -
Fred Tomaselli at the 2011 Editions/Artists’ Book Fair

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Over a packed four days in New York doing research for a future show, we managed to briefly stop by the Editions/Artists’ Book Fair taking place in Chelsea this past weekend. Occupying two floors of the former Dia building on West 22nd, the fair was intimate, friendly, and filled with surprises, not least of which were the many strong showings by non-New York exhibitors such as Clay Street Press (Cincinnati), Western Editions (Chicago), and High Point Center for Printmaking (Minneapolis). We’ll profile each of these organizations separately in a series of future posts, as well as New York-based standouts Specific Object and Forth Estate. -
The Wind Paintings of Bob Verschueren

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Following up today’s sublime nature theme, here are some exquisitely beautiful works from the late 1970s that blur boundaries between Land Art, painting, and photography. Utilizing terre verte, burnt umber, iron oxide and other powdered substances, Verschueren worked with the land, water, and wind to create these ephemeral images. -
Willem de Kooning in New York

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What’s not to love about the net when you can hear Peter Schjeldahl talk in your ear about de Kooning in New York while drinking tea in Toronto?Hear about de Kooning’s Untitled (The Cow Jumps Over the Moon), pictured above, and other paintings selected by Schjeldahl on the New Yorker’s website. Link from there to his full review as well (paywall).
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Carly Waito at Narwhal
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The Power Plant Refresh inaugural exhibitions, review pt 3: To What Earth Does This Sweet Cold Belong?
continued from The Power Plant Refresh inaugural exhibitions, review pt 2: Iñigo Manglano-Ovalle
…Upstairs in The Power Plant’s North Gallery, a more poetic and less overtly political mode of curatorial inquiry is represented, one which serves as a counterpoint to the ground floor exhibitions (see links to related posts below). To What Earth Does This Sweet Cold Belong? is a group exhibition of young Canadian and American artists curated by Jon Davies, Assistant Curator at The Power Plant. Taking its title and cue from the poetry of American Transcendentalist Henry David Thoreau, this show features fantastical landscapes from the imaginations of artists Andrea Carlson, Annie MacDonell, Kevin Schmidt, Jennifer Rose Sciarrino, and Erin Shirreff.





