LOOSE ENDS | MARY GRISEY, FAYE MULLEN, JÉRÔME NADEAU, DEBORAH WANG January 14 — March 6, 2016
Each decay is a form of transformation into other living things, part of the great rampage of becoming that is also unbecoming. It is cruel, it is death, and it is also life, degeneration and regeneration, for nearly all living things live by the death of other things.
— Rebecca Solnit
TYPOLOGY is pleased to present Loose Ends, curated by Noa Bronstein and featuring sculpture, video, and photo-based works by Mary Grisey, Faye Mullen, Jérôme Nadeau, and Deborah Wang.
Just a quick note to wish everyone a wonderful year-end and a most auspicious beginning to 2016. We’ve got such good stuff in store for the next half of the current program year that we’re fairly bursting at the seams to tell you all about it. See our 2015–16 overview for the latest updates, and stay tuned for more information coming at you in the new year!
Also thanks to everyone who visited, volunteered, engaged, and otherwise supported the space, our people, and our programs in 2015, including the amazing artists and curators we worked with, our fantastic community and collaborators at Artscape Youngplace, our first interns and curatorial resident, our current and soon-to-be volunteers and board members, and our organizational partners and independent colleagues in curating and exhibition-making. Here’s to all this and more in 2016 and beyond.
This weekend is your last chance to see Nicolas Fleming’s transformative site-specific installation, Moving right along. We are open Friday thru Sunday from 12–5 pm, and the artist will be in attendance on the Friday to answer questions and discuss his work and process.
Join us this Friday from 5–11 for a major building-wide Halloween-themed event organized by artists and organizations at Artscape Youngplace, including TYPOLOGY. See below for all the amazing stuff we have in store for all ages.
As a way to thank you, our faithful mailing list subscribers, for your continued interest and support, we’re offering a FREE Polish Papercutting Workshop with artist Maria Flawia Litwin this Saturday from 12–3 pm at Paperhouse Studio! This is a $55 value plus you’ll gain mad papercutting skills that you can use for the rest of your gift-giving life!
We’ve just posted a list of six (!) upcoming events for The Lowest Relief | Maria Flawia Litwin, including this Saturday’s Afternoon with the Artist — drop in anytime from 12–5 pm for refreshments and casual conversation with Maria, who will be at the project space to discuss her exhibition and answer questions about her art and process.
Details on the other five events, including our Fall Kickoff Celebration and Catalogue Launch, Scissors+Blades papercutting workshop series with Maria Flawia Litwin and Annyen Lam co-hosted with Paperhouse Studio, Art Bus tour with Koffler Gallery, artist’s talks for Culture Days, and Canadian Art’s Gallery Hop can be found on the exhibition page (scroll down and click on each event title to view information), or check out our Facebook Events page (where you can also RSVP).
It’s going to be a fun and busy fall — hope to see you at the project space for one or more of these events, workshops, or afternoons soon.
… image: Maria Flawia Litwin, être ma proper cause (detail), 2014
TYPOLOGY is pleased to launch its third year of programs with The Lowest Relief, an intimate solo exhibition of art by Maria Flawia Litwin, curated by Katherine Dennis. In this new body of work, Litwin uses wycinanki (pronounced vih-chee-nahn-kee), a Polish paper cutting tradition, to weave stories layered with personal memories, social history, symbolism and mythology. Each work stems from a significant autobiographical detail in the artist’s life. Yet the illustrations are stripped of overt personal narrative. The focus instead is on quintessential life experiences — those as simple and complex as birth and death, and as fleeting or all encompassing as love, alienation, pain, fear or passion — that transcend gender, geography and culture.
Whimsical but touched with dark humour, the complex cuts, colours and patterns draw the eye in. Through these intricate details we are eased into the absurdity of memory, a space where the recollections of the artist become a jumping off point for the experiences of the viewer. The fantastical vignettes, filled with elaborate costumes from Polish folk to Canadian plaid, and animal and human actors ranging from a murder of crows to an armed attacker or gentle lover, unsettle and disturb as much as they delight.
It is easy to follow, but it is uninteresting to do easy things. We find out about ourselves only when we take risks, when we challenge and question.
— Magdalena Abakanowicz
Artist’s Birthdays, an ongoing series of posts by artist Michi Colacicco is a fun way to get a bit of art history into your day and mark the achievements of artists of every stripe. We launched this feature on our Facebook page with a quote and images of work by Magdalena Abakanowicz on the occasion of her birthday, which was June 20th.
Subsequent posts have featured Peter Paul Rubens, David Hockney, and Amadeo Modigliani, and we’re looking forward to many more in the upcoming year. Follow the Facebook page for birthdays as they happen, and if you’d like to see these posts in our other social media channels, let us know and we’ll look into expanding the feature accordingly.
THE NEW GODS (installation view) featuring Destiny by Alejandro Garcia Contreras, porcelain, 7.875 x 6 x 4 inches.
It’s been a while since we last posted, and that’s actually good news because we’ve been overwhelmed by the amazing response to THE NEW GODS! Take a gander at our Press page, which has seen more action over the past few months than the entire previous year. Thanks to everyone who has supported and attended the show, especially the Scotiabank CONTACT Photography Festival, NOW Magazine, Artoronto.ca, and of course the artists, Alejandro Garcia Contreras and Josée Pedneault, for their wonderful collaborative project.
This weekend is your last chance to see it during regular gallery hours if you haven’t already — we’re open Friday thru Sunday from 12–5 pm. (Note: As we are at the end of our 2014–15 program year, the show will actually remain up for a bit longer, so those who can’t make it this weekend are welcome to get in touch and make an appointment.)
The exhibition will also live on through its documentation in the catalogue, which is forthcoming. Preorders are accepted at the project space or via email to info (at) typology (dot) ca, as well as through our online shop soon. The catalogue and the fantastic limited edition archival digital print (see below) are $25 each.
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THE NEW GODS (cardboard man), 2014. Archival inkjet on Hahnemühle FineArt Baryta paper. 6 x 9 inches. Edition of 20, signed and numbered by the artists.
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handmade helmet of cut plastic straws from Chiapas
Recap: HEAD TRIP! Fantastical Masks, Helmets, and More with Paddy Leung In the week leading up to and including Doors Open Toronto, we co-hosted a wonderful two-part workshop with Paperhouse Studio, making masks, helmets, and crowns inspired by the handcrafted costumes featured in THE NEW GODS. If you missed the photo postings on our Facebook/Tumblr/Instagram pages, we’ve included a few here for your enjoyment.
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The love continues for FLIGHTS & LANDINGS A visitor to Artscape Youngplace photographed Tamara Gayer site-specific stairwell installation, 24 Hours Toronto, and his image was selected as one of the Top Ten photos of Doors Open Toronto! All three stairwell installations (including works by Janine Miedzik and Christine Gedeon) will remain on view for several more months. A limited edition archival digital print by Tamara Gayer is available (below), with the exhibition catalogue coming soon.
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24 Hours Toronto limited edition print by Tamara Gayer, 2015. Archival digital print, 6 x 9 inches. Edition of 20, signed and numbered by the artist.
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Thanks again for your interest and support in making this a great second year for TYPOLOGY. Stay tuned for exciting news regarding our program for 2015–16 and how you can participate in shaping our future mission and projects!
above: Janine Miedzik, Blaze (detail), site-specific installation in the south stairwell at Artscape Youngplace
FLIGHTS & LANDINGS is a Canadian Art magazine Must-See Show!
With three amazing site-specific installations in the large stairwells at Artscape Youngplace, plus a selection of smaller works by artists Tamara Gayer, Christine Gedeon, and Janine Miedzik in the third-floor project space (#302), FLIGHTS & LANDINGS has something for everyone. Visitors have been sharing their pictures all over the interwebs and we’ll be posting more pics soon — but truly, these works are meant to be experienced in person. The project space portion is open for just a few more weekends (stairwells to remain on view beyond exhibition close on April 19th). Don’t miss it!
